London, NW5. July 2025. 

Online Cul-de-Sac displayed paintings and drawings, sometimes the notes themselves, the paper torn and pinned to the studio walls, as well as photographs and a video work The Moon and Sixpence exploring an anonymous, desolate city.  In American Kingpin, Nick Bilton explained that during the police’s digital hunt for Ross Ulbrich, they had to enter ‘online cul-de-sacs’ and look for ‘parking tickets on the internet’.